A Few Words on Subtext

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Creating Better Characters and Stuff

 

Hey Folks, just a quick check-in between shifts this week (working 10am to 6pm today and Friday, then chilling for five-hour days on Saturday and Sunday). No desire to talk about work – let’s ramble on writing.

Today, I want to delve a little into the world of character development, specifically how I'm upping my game with my current novel, "Gone." In the past, I confess, my characters weren't exactly...well-rounded. Take the three teenage girls in the first chapter: identical twins, Bianca and Kim, and their friend Evie. They're driving around town, celebrating Evie's birthday – what could go wrong? (Big hint: a planned accident, which you'll discover later).

Here's the thing: in my earlier works, these girls would have swapped dialogue like shuffled cards. Bianca speaks, then Kim, then Evie, with no thought to their personalities. Now, I'm creating detailed character profiles and arcs. Each girl will have distinct motivations, even if some of them remain hidden until their later "returns" (remember, this is a horror story!).

This shift from plot-driven to character-driven writing is all about reader connection. By letting my characters breathe and react authentically, I'm hoping to create a more engaging story.

Speaking of the story – you guessed it, there's more to the suicide pact than meets the eye. The real twist? Evie’s father gets a shot at reliving the day "everything changed." Yep, it's a classic "second chance" trope, but I believe I can spin it in a fresh way. Plus, the "gift" won't be limited to Eli (that’s Dad) – the girls and even the wife might get their own do-overs. Here's the kicker: these "returns" might not always be human. Imagine coming back as an eagle, a cat, or even a rattlesnake! (Maybe even a male character returning as female – the possibilities are wild!) I got to be honest – I don’t know yet where this is going.

Don’t I outline...not really my thing. I start with a loose framework, but the story often takes unexpected turns. Half the time, I don't even know the ending until I'm typing! That's where the fun twists come in (I can't resist them!).

Short thought: Everyone has a story. Don't be afraid to grab a pen and paper, or pound away at the keyboard. Even if it's a "shit draft" (I credit Hemmingway for that one – not sure) get your ideas out there. You can always revise later.

Happy writing, everyone!